The complete audio for a hypothetical deep-sea puzzle game: tending an abyssal bioluminescent reef, routing nutrient currents until dark sectors bloom. A 46-bar composition in C Lydian at 56 BPM — the genre where the "trivial pad loop" defect lives, answered with a real three-phrase theme, a darker B-section with a genuine feel change, and a canon variation over borrowed harmony — four current-driven layers, underwater + cave ambience, and a seven-sound kit tuned to the mode. Composed, coded, audited and shipped end to end by AI agents — no human wrote a note, a line, or a fix.
Space plays and pauses · the current slider moves the layers · keys 1–7 fire the kit · ~39 MB of sampled instruments and underwater ambience, fetched per instrument after your first click.
Committed before a single note was scheduled, with a cross-lab originality scan logged. The audit below is judged against these commitments — not against what the piece drifted into.
| Section | Bars | What changes |
|---|---|---|
| Intro | 4 | Pads bloom from silence; the first harp strands appear at bar 3. |
| A theme | 12 | Clarinet theme in three 4-bar phrases (statement, answer, resolve) over a Lydian I ↔ II sway (Cmaj9 ↔ D/C) with an Am9–G6/B turnaround; harp 8th-note current underneath. |
| Fill | 1 | Rising harp cascade and a single tubular bell. |
| B section | 12 | Darker undertow — Am9, Fmaj7♯11, G6/9, Em9 — voice-oohs take the lead, the harp current HALVES to quarters and a contrabass heartbeat enters: a real feel change at ambient density. |
| Fill | 1 | Celesta droplets falling. |
| A′ canon | 12 | The theme returns with a celesta CANON echoing one bar behind, two octaves up; the answer phrase re-harmonised over borrowed A♭maj7♯11 → B♭6/9 (the deep-water shadow) with a cello countermelody. |
| Coda | 4 | A musicbox remembers the theme's first phrase alone; bells and pads hang on Cmaj7♯11, then the loop returns to A — never the intro. Every pass re-rolls. |
| Layer | Enters | Content |
|---|---|---|
| L0 bed | always | Two sampled pad voices (the water column) + the harp arpeggio current. |
| L1 lead | current > 20% | The melody voice — clarinet, voice-oohs, or the canon pair per section. |
| L2 bloom | current > 45% | Celesta/musicbox sparkle figures + an fx-crystal shimmer on phrase starts. |
| L3 surge | current > 75% | Choir swell on the bar's harmony, cello doubling, a tubular bell every 4 bars. |
| Effect | Voices | Design |
|---|---|---|
| Flora drag (most frequent) | 3 × 4 round-robin bodies | Kalimba plink from a 5-note Lydian pool (never the same note twice) over soft conga/woodblock/shaker bodies and a muted low-harp shadow; ±35-cent drift per hit. |
| Rotate / place | 4 | Two-note kalimba figure + celesta halo + shaker whisper, three in-key variants. |
| Link made | 5 | Three-note harp gliss (3 variants) + celesta + fx-crystal shimmer tail. |
| Puzzle solved (rare, most ceremony) | 9 | Musicbox arpeggio to the high C + celesta + tubular bell + a three-voice choir touch; gently ducks the score. |
| Invalid move | 3 | Low cello staccato + the softest floor tom + a kalimba dead note — the gentlest possible "no". |
| Hint chime | 3 | One soft tubular bell + celesta + musicbox echo, three pitch bodies. |
| Undo | 4 | Descending celesta pair + kalimba + woodblock tick. |
Both fix rounds were real: the ambience bed sat only 1.7 dB under a deliberately quiet score (fixed by measuring, not by ear), and the canvas built 22 radial gradients every frame (9 ms). Both are now platform rules with the numbers attached.
| Measurement | Value | Method / conditions |
|---|---|---|
| Numeric audit | 26/26 checks, clean twice consecutively | Playwright + PCM tap |
| Fix rounds to clean | 2 | both were real findings, below |
| Ambience bed before fix | 1.7 dB under the score — too loud, a genuine mix defect | default bed levels vs a deliberately sparse score |
| Ambience bed after fix | 5.4 dB under | bed levels roughly halved; became the scale-the-floor-to-score-energy guidance rule |
| A vs B contrast | band cosine 0.910 · chroma 0.885 | pad-dominated mixes separate beautifully — the opposite spectral regime from piece 02 |
| A′ canon | 10 canon notes, median lag exactly 4.0 beats, +2 octaves at ~half velocity | event pairing against the melody |
| Harp spine halving | 8.0 → 4.0 notes/bar into B while the heartbeat pulse enters | event stream |
| Oscillators created | 0 | createOscillator spy |
| Visualizer draw cost | 9.07 ms/frame before the fix · 2.12 ms after | per-frame createRadialGradient × 22 flora replaced with pre-rendered glow sprites |
| SFX variation | 17–20/20 unique signatures per 20 triggers | 7 effects, 3–10 voices each |
46 slow bars with two-bar harmonic rhythm and fills that land on the barline at 56 BPM.
The current parameter blooms sparkle and surge stems in; entries verified bar-aligned by a mid-bar flip test.
A′ echoes the melody one bar behind, two octaves up, half velocity — verified by event lag, not by ear.
Underwater bed + cave drips, prefetched, scaled to the score's energy.
Puzzle-solved and hint chimes duck softly; invalid-move stays dry.
Shimmer and drift re-seeded every loop pass — stillness that never freezes.