Warm lamplight, drying posters, and the smell of ink and iron: a letterpress print-shop world, from the press room's black arch-framed hand press to the poster-layered brick alley outside. A studio-style seven-sheet concept pack — authored, audited and probe-built end to end by AI agents — that shipped only after the hand press itself was modelled from its turnaround, lever, rounce, chase and rolling bed included.
7 sheets · 8 generations, 1 regeneration · probe-built in 5 rounds, the lab's first pure machine build
The machine turnaround is the modelling contract this pack is audited against — four framed panels pinned by form clauses ("a hand-lever platen press, NOT a roller cylinder press, NO exposed gears") so the structure survives every view. Beside it, the buildability probe: the same press authored headless in Blender — arch frame, screw and platen, rolling bed on rails, lever and rounce crank.


One committed palette — cast-iron black, oiled oak, paper cream, vermilion ink, printer's navy, matte brass — across every sheet. The three zones follow the work: the press room where sheets are pulled, the composing room where the type is set, and the alley where the posters end up.



Seven props at one scale, each a fully separate object, and an eight-swatch material board — every entry named in the pack's element inventory, the written canon production builds from. Both sheets came out clean on the first attempt — the lab's prompt-formula stack at work.


Every pack in this lab ships only after an asset is actually modelled from its sheets. The press took five audit rounds — the first fused frame read as a necklace of floating balls, a sparse spline flared the arch wide of its columns, and a numeric bounds check finally exposed a half-scale dimension bug — before the cast-iron massing, closed support chains and pinstripes landed. The glTF below is the shipped artifact, not an illustration.



| Measurement | Value | Conditions |
|---|---|---|
| Sheet generations | 8 total (7 base + 1 regeneration) | 6 of 7 sheets first-try clean; props and materials clean on attempt one |
| The one regen | key art, 2 attempts | the in-scene poster rendered a half-garbled title — diegetic text garbles where title cards don't; v2 uses a wordless sun ornament |
| Coherence audit | 1 round + confirming pass, clean | subject identity, proportions ≤10%, one palette, all elements nameable |
| Probe authoring rounds | 5 | rounds 1–3 lost to a fused-frame blob, spline overshoot, and a half-scale box bug found by numeric bounds, not eyeballing |
| Press build | ~0.90 m tall, 60+ parts, 0 fuses in the frame | primitives + swept tubes; every support chain closed (arch→screw→platen, body→rails→bed) |
| Pack name | renamed at ship time | "The Ink & Quoin" shared its lead word with an existing piece ("Inkbout", Godot Lab) — caught by the collision sweep, renamed before publishing |
| Shipped press glb | 1.7 MB | un-optimised probe artifact, procedural materials |
Cast-iron reads come from chunky beveled boxes and turned cylinder stacks — the voxel-fuse blob of round one was the wrong tool for machinery.
The arch is a dense 13-point computed semicircle with both ends buried in the column tops — sparse splines overshoot and float.
Lever rooted inside its column, screw buried in the arch apex, crank axle in the body, bed on its rails — machines forgive no floats.
A per-part bounding-box print against intended spans exposed the half-scale bug that three rounds of looking at renders had missed.
The swept lever and every angled segment aim with to_track_quat — the alignment rule an earlier vehicle probe earned.
Chase rails, a 20-block lead type form, the ornament proof sheet and six brass bolts dress the machine the way the sheets demand.